Showing posts with label Jamaica. Show all posts
Showing posts with label Jamaica. Show all posts

Friday, 26 January 2024

Louisa Wells Aikman of Charleston and Premature Burial

Louisa Wells Aikman was born in Charleston in 1755. She was the daughter of Robert Wells and Mary Rowand, who had emigrated from Scotland a couple of years before. Robert was a man of many talents: bookbinder, bookseller, printer of books and Charleston's second newspaper, The American and General Gazette

Robert's staunch support for the British government in its dispute with the colonies made his life difficult, and he went to London in 1775. Most of the family followed him early in the revolution. Louisa stayed in Charleston to help her brother John run the family business. In 1778, she was banished for her outspoken Loyalism and left for London. A few months after her arrival in London, she wrote a journal of her experiences, The Journal of a Voyage from Charlestown, S. C. to London

Most of the journal relates the story of her circuitous and adventurous journey from the time she left Charleston to her arrival in London. Along the way, she inserts a curious story. involving an alleged case of premature burial. The alleged victim was George Woodrop of Charleston, who had died in 1770 in his early twenties. The burial had been unusually quick. Woodrop was pronounced dead in the evening and was buried the next morning. His uncle, Andrew Robertson, insisted on dispensing with the traditional practice of "laying out" the body in the house for a a few days before interment. 

Louisa's father Robert Wells had been a mourner at the funeral. He had "expressed great uneasiness, and said that the body did not appear like a dead corpse, there seemed to be a bloom on the countenance!" Wells asked Robertson the reason for the hurry in burying Woodrop. Robertson replied, "Mrs. Robertson could not bear to have the deceased in the house as she had so many young children."

Afterwards, a rumor spread that Woodrop had been buried alive. During Louisa's voyage to London, one of her fellow passengers, John Mills, was the sexton of the church where Woodrop was buried. Mills told Louisa and other passengers that the rumors were true. Mills said he had kept silent on the matter until that time because he had promised the Robertsons that he would not speak to anyone about the subject. But now the Robertsons were dead and he felt released form that promise. 

One night Mills was preparing a grave for a morning burial, assisted by "two black boys." While they were digging, the shovel hit and broke off part of a coffin. Mills went down into the grave and discovered "the backbone of a human skeleton." The posture of the body seemed unusual. Aided by the boys, Mills "opened the grave, uncovered the lid of the coffin, and found the deceased lying on its side, with the cheekbone in the palm of the hand!" The coffin cover bore the words "George Woodrop died 1770." 

We may not be convinced by this evidence, or speculate that Mills was spinning a yarn to entertain his fellow passengers on a long and tedious voyage. Louisa Aikman was convinced that it was a genuine case of premature burial and that it was not the only one. The fear of being buried alive (taphophobia) has existed in western society for many centuries but it increased during the late eighteenth century, partly due to changes in burial practices. Another contemporary fear, of disease-causing miasmas emanating from decomposing bodies, led many doctors to urge quick interment instead of laying bodies out for several days.   

One famous Charlestonian who feared premature burial was Henry Laurens.  Laurens believed that his infant daughter Martha had narrowly escaped being buried alive. He had heard the rumors about Woodrop because he knew Robert Wells. Laurens stipulated in his will that his body be burned after death. His cremation on a funeral pyre at Mepkin Plantation inn 1792 is reputed to be the first documented case of the practise in the United States. 

In an appendix to her narrative, Louisa Aiken wrote that the Woodrop case had affected her mind so much that she "never forsook the apparently dead or dying until interment." During the twenty years she lived in Jamaica (1782-1801) she reckoned that her watchfulness had prevented eighteen people from being "sent to an untimely grave." 

She mentioned in particular the case of fourteen year old James Haughton, 1785. He seems to have been suffering from yellow fever -- Louisa mentions "a constant bleeding at the nose." For several hours "Animation was suspended." Two doctors declared him dead. His mother agreed with what Louisa considered a lack of emotion, and went off to dress for his funeral. 

Louisa persevered in trying to save him. With the help of "slaves" she applied the method recommended by the Humane Society. She does not say what they did or who did what. The Humane Society of London was founded in 1774 with the object of reviving people seemingly dead from drowning and other causes. The society's initial recommended method involved a combination of mouth to mouth resuscitation, warming and rubbing the body, purgatives, ointments, and tobacco smoke enemas.

The young man regained consciousness. When his "unnatural parent" returned, "curled and powdered" and dressed in a black silk dress, her son was sitting up "eating sago from my hands." James Haughton was still alive fifteen years later when Louisa left Jamaica. He had married twice and had several children. Louisa moved to Cowes on the Isle of Wight in 1801 to care for an ailing daughter. She died at Cowes in 1831, aged 76. Hopefully, was dead when she was buried. 

[Image: The Wells Residence and Shop at 71 Tradd St, Charleston, SC]




Further Reading:



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Monday, 22 April 2019

The Zong Massacre: Inspiration for Turner's "Slave Ship" Painting






In 1840, British artist J.M.W. Turner produced the painting shown for the International Conference on Abolition of Slavery. The conference was organized by the British and Foreign Anti-Slavery Society, which had campaigned for an end to the slave trade (1807) and slavery in the empire (1833). 

The painting shows people drowning in the sea near a ship as a storm approaches. Turner entitled it "Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On." 

He was inspired in part by reading about the horrors of the slave ship Zong, in Thomas Clarkson's History and Abolition of the Slave Trade. The story is variously known as the Zong Incident, the Zong Case, or, more recently and accurately, as the Zong Massacre.

The ship was carrying a "cargo" of 442 Africans from Ghana to  Jamaica. It was grossly overloaded, poorly maintained, and inadequately crewed. The Zong overshot Jamaica by more than 300 miles due to a navigational error. It was running low on water. Some 62 Africans had already died from disease. Many others were ill. 

The crew threw at least 132 living Africans into the sea, allegedly to save the rest. A key point in their decision was that the slaves were insured against "loss at sea" but not against death by "natural causes." Humanity did not enter into the equation, only profit. 

The Zong made it to Jamaica, where the surviving slaves were sold.
The ship's owners applied for the insurance money for the "lost" slaves. The insurance company's underwriters denied the claim and the case went to court in London. 

A jury ruled against the underwriters and ordered them to pay. Two months later, the underwriters appealed the case to one of the high courts, the King's Bench. 

No record of the first trial has survived, but at the second trial, Lord Chief Justice Mansfield summed up the verdict of the first. The jury, he said, had believed the crew's action was justified.  "They had no doubt (though it shocks one very much) that the case of slaves was the same as if horses had been thrown overboard." 

At the second trial, the counsel for the owners went further and claimed that it was just like throwing a load of wood into the sea.
(Image: Lord Mansfield) 





The underwriters argued, with ample evidence, that the entire voyage had been badly mismanaged. They also argued that the crew should be prosecuted for murder. Granville Sharp, an active campaigner against the slave trade, probably suggested the latter strategy. A former slave, Olaudah Equiano, had brought Sharp's attention to the Zong Case. (Images: Sharp and Equiano)




Mansfield ruled in favor of the underwriters' contention that poor management was responsible for the loss of the slaves. The Zong's investors received no compensation for the dead (murdered) Africans. 

No murder charges were brought against the crew. Nevertheless, the horrors revealed by the Zong Case helped galvanize opponents of the slave trade. Led by men like Sharp, Equiano, William Wilberforce, and Thomas Clarkson, they mounted a mass movement to end it. Parliament finally abolished the trade in 1807. Abolition of slavery itself in the British Empire followed in 1833.

Turner's iconic painting is now in the collection of the Museum of Fine Arts, Boston, MA.

Further Reading: James Walvin, The Zong: A Masssacre, the Law, and the End of Slavery. New Haven and London: Yale University Press, 2011.