Monday, 27 January 2020

Beer, Britain, and the First World War



The current economic crisis in the UK is bad. It's not easy being a pound (£) right now, faced with becoming weaker every day. But let's take a moment to think about the equally dire fate of the humble beer in an even worse time: that of World War. 

The First World War proved difficult for beer in the United Kingdom. Ales, porters, and stout all had to make adjustments in pursuit of victory. They had to reduce their alcohol content, their hours of sale, accept much higher taxes, and suffer other indignities. 

War leaders wanted to keep British soldiers and sailors relatively sober. In 1915 David Lloyd George became Minister of Munitions. He immediately declared that drink, not the Central Powers, was Britain's greatest enemy. "We are fighting Germans, Austrians, and drink, and as far as I can see the greatest of these deadly foes is drink." 





The men at the front may have disagreed about that, but their views like their lives, counted for very little. They could get weak French lagers on leave and a rum ration on duty. After the war, the medical officer of Scotland's 4th Black Watch Regiment told a hearing on shell shock, "Had it not been for the rum ration, I do not think we should have won the war."




Brewers were also not too happy about the restrictions placed on their product. Guinness managed to promote its beer and appear patriotic at the same time:


 

For Lloyd George, drink was if anything a greater foe at home than at the front. He and others in authority feared that drunkenness would reduce workers' productivity, depriving the military of needed war materials and supplies. 

The authorities were especially concerned about alcohol consumption among munitions workers, and for good reason. Mistakes and misbehavior in munitions plants could lead to deadly explosions and delays in production. Hundreds of munitions workers died in explosions, most of them sober women. (Image: Charles Ginner, "The Filling Factory," 1918)




Starting in 1914, various Defence of the Realm Acts (DORA) gave the government sweeping powers to control many aspects of British life, including the production, sale, and consumption of alcoholic drinks. One government order prohibited "treating" or buying a round for other patrons. All drinks had to be paid for by the person consuming them. 

Some changes had long lasting effects. One order severely restricted the hours when pubs could legally serve alcohol. Opening hours were limited to the early afternoon and early evening, from 12:00 to 2:30 and 6:30 to 9:30. Violation could lead to loss of the pub's license. These restrictions remained in effect until 1988. 

Government propaganda also encouraged individuals to restrict their own drinking times, as in the poster below: 



Other orders mandated that the percentage of alcohol in beer be lowered to reduce drunkenness. The average Original Gravity (OG) of beer in England and Wales dropped significantly, from 1059 to 1029, between 1914 and 1919.

The wartime government also significantly increased the taxes on alcohol. The price of a pint roughly doubled even as its strength fell. In 1918, a bottle of whisky cost five times its price in 1914. 

The consumption of alcohol fell by about half during these years. Arrests for public drunkenness fell even more drastically. How much all these changes affected the war's outcome may be debatable, but they certainly saved some lives, and changed British social life in long-lasting ways. 





Monday, 13 January 2020

Punch Goes to War: The End of Appeasement

As fears of another World War approached in the late 1930s, the British satirical magazine Punch published cartoons that depict the shift in Britain against the policy of appeasement of the fascist dictators, particularly of Hitler. A few of the cartoons are included here.

In "Still Hope" below, the artist depicts British Prime Minister Neville Chamberlain as an angel of peace flying to Germany at the time of the Munich Crisis in September 1938. Hitler was demanding that Czechoslovakia cede the Sudetenland, an area bordering Germany inhabited by a largely German population. 




The demand followed hard on the heels of the German occupation of Austria in May 1938. Hitler had justified that annexation on the grounds that the Austrians were Germans. Hitler himself had been born in Austria. The Western Allies, France and Britain, did nothing, as they had done nothing when Hitler broke several sections of the Versailles Treaty that had ended World War I.

"Still Hope" reflects the view that appeasement of Hitler might yet work. Appeasement flowed from the belief that Germany had legitimate grievances stemming from the peace settlement after the Great War of 1914-18. A few concessions to Hitler, appeasers argued, could satisfy him and preserve European peace. 

British public opinion generally favored appeasement at this point. Few people wanted another Great War, and many believed Germany had been treated too harshly after the First World War. At Munich, Chamberlain and the French Premier Edouard Daladier agreed to Hitler's demands. Chamberlain returned to Britain claiming he had secured "peace for our time."

That time proved short. Within a few months, Germany occupied the rest of Czechoslovakia and began making territorial demands on Poland. The British and French governments finally stiffened, announcing they would defend Poland against German attack. 

The shift is reflected in "An Old Story Retold" from the Spring of 1939. Hitler assures his skeptical ally Mussolini that the British, represented by the dog guarding the gate, are all bark and no bite. The artist is Bernard Partridge, who had done many cartoons for Punch during World War I.


In "-- -- and the Seven Dwarves" the same artist, Bernard Partridge, presents Hitler in the guise of Snow White, the title character of Disney's popular animated film of 1938. "Adolf White" already has "Czechy" in hand and is beckoning to the other six dwarves to follow him. Each of the dwarves represents one of the states of Eastern Europe.


The next cartoon, "Popular Misconceptions (in Germany) -- the English," is also from April 1939. The artist is reacting to German accusations that the English are trigger happy warmongers. 






Another cartoon from early 1939 "Germany Shall Never Be Encircled" portrays Hitler as a megalomaniac intent on world conquest. Hitler was ready for war over Poland but his generals insisted he avoid the First World War scenario: a two-front war with France and Britain in the west and Russia (now the Soviet Union) in the east. 




Hitler often ignored his generals' advice but in this case, he sent a delegation to Moscow, headed by Foreign Minister von Ribbentrop. The British and French were already wooing Stalin to help defend Poland. "The Calculating Bear" (Russia) is considering the offers made by both sides.


In the end, Stalin accepted Hitler's offer: stay out of the war and help yourself to eastern Poland. The Nazi-Soviet Pact of August 1939 was quickly followed by the German invasion of Poland on September 1. Britain and France declared war on Germany two days later. It did nothing to help the Poles, whose armies were overwhelmed swiftly by the German Blitzkrieg, then by Soviet invasion from the east

In the Spring of 1940, German armies overran much of Western Europe, including France. Britain now faced Germany alone, as well as its ally Italy, which entered the war once France's defeat was certain. 

During the battle for France, Winston Churchill, who had long opposed appeasement, had replaced Chamberlain as Prime Minister. In the summer and autumn of 1940, Britain narrowly survived the air war known as the Battle of Britain and avoided invasion. 

As the new year 1941 dawned, Punch published the rather optimistic cartoon, "The Dragon-Slayer," with Churchill as the title character. One would almost think the war was near its finish, but it had more than four horrific years to run. Churchill himself said of the British victory in the Battle of Britain, that it was "not the beginning of the end, but the end of the beginning." So it proved.





As it happened, 1941 was to prove a turning point for Britain, as it acquired powerful allies. In June Hitler broke his pact with Stalin and invaded Russia. In December German's ally Japan attacked the United States base at Pearl Harbor. Hitler declared war on the USA.

For an interesting, blackly comic take on the events leading to World War II, I recommend: Eric Vuillard, The Order of the Day (2017). 

Friday, 3 January 2020

The Previous Lives of Pubs: The Knights Templar, Chancery Lane

Fancy a pint down at your local bank? These days you might be able to satisfy that fancy. Quite a few bank branches, closed due to the upsurge in online banking or other reasons, have found a new life as pubs.


A prime example is the Knights Templar. Located just off Fleet Street on Chancery Lane, London, it occupies a former branch of the Union Bank (now NatWest). Its original function is emblazoned on a relief above the entrance at the corner of Chancery Lane and Carey Street.   





The pub derives its name from a crusading order of warrior knights with a local connection. The Templars established their English headquarters in the nearby Temple precincts during the 12th century. Fans of the Da Vinci Code may recall that a scene in the novel and film takes place in the Temple Church. The images of the Temple Church below date from c. 1862 and c. 1810.




The Temple area later became the location of two of the Inns of Court, the Inner and Middle Temples. The other two, Lincoln's Inn and Gray's Inn, are also nearby. In order to become a barrister in England, one must be a member of one of the Inns. 


The décor reflects the name and locale, with paintings, pictures, and engravings of Templars in and out of battle. Other pictures connect the pub to its proximity to the law courts and Inns of Court, including a large painting of Sir Edward Coke (1552-1634), considered to be the most influential jurist of the Elizabethan and Jacobean eras. 









The bar and seating area.



Be forewarned: The Knights Templar is closed on Sundays. Surely not because of rigid sabbatarian views, but because traffic is light in this part of London on Sunday.