Francis Barber: the Slave who became Samuel Johnson's Heir

Samuel Johnson  (1709-1784), often referred to as Dr. Johnson, is best known for his Dictionary of the English Language (1755), and the classic biography of him by his friend James Boswell, The Life of Dr. Johnson. (Below: Portrait of Johnson by Joshua Reynolds)

Among Johnson's many other writings is a long essay, Taxation No Tyranny: An Answer to the Resolutions and Address of the American Congress  (1775). As the title indicates, Johnson rejects the American colonists' complaint that they were being oppressed by taxes levied by the British parliament. 

Among other things, Johnson argued that the Americans' claim that there should be "No Taxation without Representation" was unfounded. The colonists had voluntarily resigned the power of voting in British elections by leaving Britain, but retained "virtual representation" in Parliament, as did British people who had no right to vote. If the colonists wanted to take part in British politics, he suggested, they could move to England and buy an estate. 

This argument was unconvincing then and hasn't improved with time. Taxation No Tyranny has contributed to the common view of Johnson as an arch Tory. In some respects he was, but the reality is more complicated, and far more interesting. Another of Johnson's arguments is far more powerful -- and liberal. It may be summed up in the line "How is it that we hear the loudest yelps for liberty among the drivers of negroes?" 

Here Johnson hit the colonial argument for liberty at its most vulnerable point. The colonists claimed that the British government was trying to enslave them while holding hundreds of thousands of people in the most oppressive form of bondage. 

Johnson, unlike most influential Britons in the 1770s, considered slavery an abomination. He once proposed a toast to "the next rebellion of the negroes in the West Indies." He also argued that if the Africans were freed and given some land, they would likely prove better citizens than their masters.

Johnson did more than talk the talk. Years before he essentially adopted a former Jamaican slave, Francis Barber, and educated him. Barber entered Johnson's household as a boy in 1752. Johnson's wife Elizabeth had just died, plunging Johnson into a deep depression. Barber's owner sent Barber to serve as Johnson's valet. 

Barber  (1742/3-1801), originally named Quashey, was still a slave at that time, but his owner freed him two years later. After gaining his freedom, he worked for an apothecary, briefly as a sailor in the Navy, and then as Johnson's assistant. Barber married Elizabeth Ball, a white woman with whom he had two children. In his will, Johnson left Barber a substantial legacy in money along with his books and papers, and a gold watch. 

The portrait above, which some art experts attribute to Johnson's friend Joshua Reynolds, hangs in Johnson's house today. Whether it is a portrait of Barber or not is disputed. Some experts think it is a portrait of Reynolds' manservant. 

Johnson's house, just off Fleet Street in Gough Square, is open to the public daily. It is well worth visiting to learn more about Johnson and Barber.

Further Reading: Michael Bundock, The Fortunes of Francis Barber: The True Story of the Jamaican Slave who Became Samuel Johnson's Heir (New Haven and London: Yale University Press, 2015)

London's Fascinating Fleet Street: Printers, Prisons, Publishers and Pubs

London's Fleet Street starts at the bottom of Ludgate Hill, a street atop which sits St. Paul’s Cathedral. Fleet Street derived its name from the nearby River Fleet, which today runs underground beneath Farringdon Street and New Bridge Road. 

Fleet Street was once the center of England's printing trade and later became a metonym for its newspaper industry. 

Just north of Fleet Street beside the River Fleet, lay the Fleet Prison which incarcerated people for debt from medieval times until the 19th century. Alas, it is no longer there.

Just south of Fleet Street Henry VIII erected a royal residence, Bridewell Palace. After his death his heir Edward VI gave it to the City of London. The City Fathers used it for a house for punishing “disorderly women” and a school for young lads, an interesting juxtaposition. One can only wonder about the curriculum. 

The boys moved out later and Bridewell became a general house of correction. Eventually all such establishments became known as “bridewells.” All that is left of the palace is the gatehouse, which boasts a relief portrait of Edward VI, a king whose main claim to fame was dying young and being replaced by Bloody Mary.

One of the most popular spots on Fleet Street is just a short walk down a lane on the north side of the street: Ye Olde Cheshire Cheese. The pub, as its sign tells you, was “Restored in 1667,” the year after the Great Fire of London. It seems to have been untouched since. It’s dark, with all sorts of little nooks and crannies for drinking, plotting, and whatever. And lots of history.

Charles Dickens, Mark Twain, Conan Doyle, Tennyson, and other literary figures are among those claimed as "regulars." Dr. Samuel Johnson of dictionary fame lived at nearby Gough Square and is said to have popped in here occasionally with friends, such as his biographer James Boswell and the writer Oliver Goldsmith.

Goldsmith is buried next to nearby 12th century Temple Church, built as the spiritual home of England's crusading Knights Templar. The church gained some recent fame from the novel and film The Da Vinci Code.

Another nearby church, St.Bride's, has a fascinating history as well. An earlier church was destroyed during the Great Fire of London in 1666. 

Sir Christopher Wren, who designed nearby St. Paul's and many other rebuilt churches after the fire, designed the current St. Bride's. Its steeple and name later inspired the layered wedding cake! 

St. Bride's was once known as The Printer's Church because Fleet Street became the center of the city's printing industry. It is now known as the Journalists' Church and contains an altar dedicated the memory of journalists killed covering various conflicts around the world. The crypt contains remains of a Roman street and a small museum.

Johnson’s house at Gough Square is open to the public. It is well worth a visit. Johnson was a fascinating, idiosyncratic fellow. Pictured below is his house and a statue of his cat Hodge.

Inside the house is a portrait that some believe to be of Francis Barber, a former slave who Johnson basically adopted and educated at his own expense. At his death, Johnson left Barber a large sum of money.

To the west of Gough Square are many buildings related to the law. The ancient law schools and courts are nearby. At the end of Fleet Street, where it becomes The Strand, stands the massive neo-Gothic pile of the Royal Courts of Justice (Opened, 1882). 

On an island at the end of Fleet Street lies St. Clement Danes church, made famous by the nursery rhyme, “Oranges and lemons say the bells of St. Clements.” It sounds nice until you get to the last couplet: “Here comes a candle to light you to bed, And here comes a chopper to chop off your head!” [Image: St Clement Danes]