Anti-Slavery Images, 1750-1860

The UK has the unenviable distinction of having been a global leader in the Atlantic slave trade, second only to Portugal. British ships transported more than three million Africans to the Americas between the 1600s and 1807. 

By the late 18th century, a movement to end this vile trade and eventually slavery itself began to gain momentum in Britain. Anti-slavery sentiment arose from both religious and secular sources. 

Religious sects like the Quakers had long opposed slavery. After mid-century, they were joined in Britain by members of Dissenting sects such as Methodists and some Anglicans. 

The influence of Enlightenment thinkers also played a role. The illustration below, from Voltaire's popular work Candide, shows Candide and his companion Cacambo encountering a slave who has had his hand destroyed in a mill and leg cut off for running away. The slave tells them, "This is the price of your eating sugar in Europe."

In the 1780's, the innovative potter Josiah Wedgwood, Darwin's grandfather, produced the famous medallion below on behalf of the movement to end the slave trade.

The image below, of "tight packing" aboard the slave ship Brookes, was published in Plymouth, England in 1788 and soon became an icon of the antislavery movement.

In the same year, British artist George Morland exhibited his sentimental genre painting "The Slave Trade," showing Africans being loaded into boats on the West African coast.

The painting below, by JMW Turner, depicts the infamous case of the slave ship Zong . The Zong Incident occurred in 1783, almost sixty years before Turner painted his take on it. 

When the Zong ran low on water, the captain ordered more than 100 Africans thrown overboard in order to save the rest. The captain claimed insurance on the "lost cargo." The insurance company refused to pay.

In the court case that followed, Lord Chief Justice Mansfield (pictured below), who had effectively declared slavery illegal under English law in 1772, denied the insurance claim. Many people thought the captain and his henchmen should have been tried for murder.

The shocking nature of the Zong "Massacre," as it is often called today, galvanized opponents of the slave trade. In its wake, they mounted a mass popular movement to end it, led by MP William Wilberforce. Parliament finally abolished the slave trade in 1807. 

Abolition of slavery itself in the empire followed in 1833, but the institution survived decades longer in many parts of the globe. Turner's painting the Zong Massacre in was done in 1840 for the International Conference on Abolition of Slavery, held in London.

The legal slave trade to the USA ended in 1808, but a clandestine trade and slavery itself lasted until the end of the Civil War. British artist Eyre Crowe produced a famous depiction of a slave sale in Charleston, South Carolina in 1856. 

During the Antebellum Era (1820-1860), abolitionists in the USA produced many anti-slavery images. They tended to focus on the brutality and violence of the slave system, in which slaveowners wielded tyrannical power over their human chattels. Below are a few examples.

Today, a new curriculum for US History in the Florida of Governor Ron DeSantis, emphasizes the "benefits" of slavery to the enslaved.  He is also at war with one of Florida's biggest economic powerhouses, Disney, Inc.  

There is a certain irony here. Disney famously produced a film that, inadvertently, perhaps, made slavery look like a Good Barbieland. I refer of course to Song of the South (1946), the movie based on the Uncle Remus Stories of Joel Chandler Harris. 

My, oh my, what a wonderful day!